sol archer


Bunho Harvest 2021

Harvesting rushes with weaving master Manuel Ferreira, and Iany Galo and Lucrezia Papillo of Macheia 

Code of Conduct workshop

On June 26 2021 I led a workshop with the Praksis Oslo Teen Advisory Board PTAB in Collaboration with Ina Hagen, to codify their responsibilities and relationships, and develop a Code of Conduct and a Living Glossary to define their working space. It will be live on the PTAB website after a period of review.

chamada aberta!

Textos Sobre KPOP, Fandom, Comunidade, e Cultura!

publication project


I am delighted that the Stimuleringsfonds Creatieve Industrie will support the commissioning of new texts and the production of a publication with amateur KPOP dance groups in Brasil and Production Studio Sao Paolo

Who Makes The City

Launching soon: series of video and in person conversations about urbanism with web magazine format


Sol Archer (1983) is a Netherlands based artist working through collaboration with professional and non-professional groups, considering the encounter as a space of production. Frequently employing video as an apparatus for producing a doubling of experience; productive of ‘works’ through collective act, and through movement towards the work, productive of new collectivities and ways of being together.

This extends into a pedagogical practice on structures and systematising group environments focussed on self reflexive film-making practices and the legacy of collaborative film practice in relation to ethnofiction.  

Sol has exhibited widely, including in the Sydney Biennial, Sydney, AU; Rozenstraat, Amsterdam, Golden Thread, Belfast, Northern Ireland, NL; Le Crac19, Montbeliard, FR; Index Foundation, Stockholm, SE; TULCA, Galway, IR; Le Lieu Unique, Nantes, FR; MuKHA, Antwerp, BE; and more.

Residency programs Sol has participated in include the Jan van Eyck Academy, Maastricht, NL; Capacete, Rio de Janeiro, BR; IASPIS, Stockholm, SE; Vicinities, Belfast, UK; PHLOX, Huns, NL; AIR Anterp, BE; Het Wilde Weten, Rotterdam, NL; and Digital Art Studios, Belfast, UK


Play Video

Dispatches from Futureland

HD Video 25:56


‘Dispatches from Futureland’ is a aesthetic study of the inhuman scale and constructed spectacle of international industrial sites, and the theatrical spectacle of unionised demonstration against them. 

The film operates in the future orientated a-temporality and science fiction influenced aesthetic of capitalist futurism. Rotterdam has the largest port in Europe, carrying five hundred millions tonnes of cargo per year, while employing the labour of only two thousand four hundred workers, a loss of nearly 200,000 jobs in the last 40 years. In the delta of the Maas river a huge area of new land is under construction to house fully automated terminals, removing human bodies from the corridors of transit. At the heart of the Maasvlakte is Futureland, a tourist visitor centre.

Dispatches from Futureland follows an abstract cycle, in which a woman playfully leads us through the desolate peripheries of the docks, climbing on partly installed infrastructure; possibly a guide; possibly an estate agent; possibly looking for traces of life. A couple operate an immersive flight simulator, flying over the completed project in 2033, machinery operates without human intervention, tourist boats and buses glide through the harbours. Police and dock workers stand off against one another, both sides filming and photographing everything, all while the algorithmic ballet of container transit continues day and night.

Dispatches from Futureland was made through combinations of site visits, archival and reading research, observational filming, and conversations with dockhands and union representatives on a local and global level.